The Art - Sir Peter Robson

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Project Genisys - The Quest Begins


As the creator of the painting, Project Genisys, I would like to share with you some thoughts on this exciting and new energised art form.

In the early days of the painting, as I started to study the layout of a laboratory for the purpose of creating a computer system of the same name, Project Genisys, I decided that I would explore the route by which knowledge arrived and was contained within these computer systems. So, I was thinking of the creation of this system, and, of course, my mind began to ponder the dawning of time and the awareness and awakening of man and his knowledge. Where did the knowledge come from and how did he accumulate it?

One man in history came to mind - Leonardo da Vinci. As a writer, mathematician, scientist, and artist, he is the one person we think of associated with the age of genius. Leonardo believed that there could be no art without science and with this in mind, I set about creating something entirely new - hoping that I would come across a way of presenting this painting as a new art form.

Everything begins with the power transmitted by the energy in the painting for the eye seizes the most subtle mathematical calculations in spite of the deformations in perspective. The line of energy transmission we follow in the painting leads us straight into the world of computation through images and as energy and information are aspects of the same thing, the name of this is entropy.

The research on the historical chart which accompanies the painting was carried out in Europe because a great deal of the knowledge is contained in sovereign and Knightly archives there that are quite secret. After viewing my painting, Le Chevalier Labhran de Saint Germain - Knight Perceptor of the Sangreal and Presidential attache to the European Council of Princes wrote, and I quote as follows:


"The features as envisioned by your painting are tremendously exciting since they explore the areas of long concealed knowledge such as sacred geometry and cosmic law.

The timing of your painting is important as it confronts the millennium with a brand new and wholly energised enlightenment. During the next few years, a good deal of ancient wisdom is destined to be released. However, if your entropic art form were at the forefront of this programme, it would have enormous international impact.

In this regard I could obtain special approval to assist the project by providing information before it reaches the general public."


And, what happened was, I was provided with some incredible new facts based on cosmic law, sacred geometry and numerology, in which I have always had a keen interest.

This, together with what I had already woven into my painting now became a great quest - a quest for knowledge and answers not revealed before.

To assist you in unravelling the mysteries of the painting, there is an illustrated historic chart and a notebook dealing with cosmic law, sacred geometry, and numerology and the route by which the knowledge reached Leonardo da Vinci. This historic chart and notebook are provided in addition to the painting, Project Genisys.

It is my hope that they will assist you in this great quest for the secrets that are contained within my painting.

Sir Peter Robson